![]() However, others address the fullers directly and the symbol of their corporate identity, the owl. These messages are primarily greetings from Crescens to various individuals and groups. One particular fuller, Crescens, inscribed 13 messages in one house alone. In this paper, I discuss graffiti that can be associated with the fullers and their spatial distribution within the city. Less well-known are the graffiti that mention the fullers or were made by particular fullers. The fullers are well-known in Pompeii through the archaeological evidence of several fulleries as well as wall paintings that depict their activities. This paper takes a different approach in investigating the graffiti of one group of workers and this group’s predilection for graffiti writing: the fullers. Much recent work on Pompeian graffiti has been devoted to investigating particular genres within the graffiti (Milnor 2014), graffiti in domestic space (Benefiel 2010, 2011, 2016), the spatial distribution of graffiti (Keegan 2016), and the genre of graffiti writing itself (Kruschwitz 2010, 2014). They have been used to investigate topics such as ancient literacy, sexuality, and groups typically marginalized from the literary record like women and slaves. Check them out for yourself.Ancient graffiti, which once dotted the urban landscape of Pompeii, provide much evidence about the political, economic, and social fabric of the town. ![]() You can drink Falernian for four coins.”Īnd whole lot more. Hedone says, “You can get a drink here for only one coin. Love dictates to me as I write and Cupid shows me the way, but may I die if god should wish me to go on without you I don’t want to sell my husband, not for all the gold in the world If anyone does not believe in Venus, they should gaze at my girl friend Theophilus, don’t perform oral sex on girls against the city wall like a dog Lesbianus, you defecate and you write, ‘Hello, everyone!’ĭefecator, may everything turn out okay so that you can leave this place If you look down on this curse, may you have an angry Jupiter for an enemy Gaius Valerius Venustus, soldier of the 1st praetorian cohort, in the century of Rufus, screwer of women On June 15th, Hermeros screwed here with Phileterus and Caphisus. Restitutus says: “Restituta, take off your tunic, please, and show us your hairy privates”.Īt Nuceria, look for Novellia Primigenia near the Roman gate in the prostitute’s district. ![]() It’s Rome, after all, so there’s no shortage of, um, intimacy: It’s safe to say that 2016 American architecture, should we all disappear tomorrow, would provide nothing more than various pictures of misshapen dicks and a healthy dose of “INSERT NAME sucks APPENDAGE.”Īnd so, I share some of my personal favorite finds from historic Pompeii: ![]() Obviously a bunch of these transcriptions were placed there without the foresight of it potentially being shared on a glowing box interconnected with various other glowing boxes throughout the world. This revelation really makes you wonder how our generation will be remembered. After reading some of the below, I can now see why. I recall seeing some graffiti - mainly the ones depicted by pictures - but failed to see any translations of other marks. I had the pleasure of visiting Pompeii and The Herculaneum two summers ago. With that, I’m excited to share something I stumbled across on Reddit the other day.Īccording to a professor’s studies, he has translated areas of graffiti throughout the city of Pompeii. merely because I know that on a boring day of scrolling through my feeds, there’s at least a chance I may walk away learning something for the day provided that something isn’t the new-found knowledge of a friend’s dating life or what another friend had for dinner. So I tend to keep tabs on a bunch of history items - subreddits, History Channel accounts on social, Historic Photos, etc. Similar to how someone would love the guitar without wanting to be a rock star. A closer look at graffiti from the ruins of Pompeii shows that humans have not evolved much over time. ![]()
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